Early life Ĭhen Shu was born into an elite family in Jiaxing, Zhejiang province. Her son also noted her works of charity by helping to feed the poor, as well as her ability to add wealth to her family through her art, which made her an example of a good Confucian wife.

Her skills, he claimed, were from 'her distinguished heredity, fine upbringing, and a bit of divine intervention.' He further describes the supernatural events leading to her interest and success in the field of art. Her son's biography portrays Chen Shu as an 'exemplar of Confucian virtue.' In his Biography, Qian Chenqun describes his mother's success in the art world, the cultivation of her talent, and her artistic influence over the next generations of her husband's family.

Chen painted figures, landscapes, and flower-and-bird paintings. Through this avenue she became favored by Qianlong, and many of her works were featured in the imperial collection (today in both the Palace Museum in Beijing and the National Palace Museum in Taipei). When the latter became a prominent statesman in the court of the Qianlong Emperor, he introduced the emperor to his mother's paintings. After the early death of her husband, Chen raised her son by herself. Apart from her artistic works, she was also known as the mother of Qing statesman and poet Qian Chenqun (zh:钱陈群). She is considered the first female painter of Qing dynasty as well as the inaugurator of Xiushui School painting style. She was born in Xiuzhou (now Jiaxing) and was also known by the courtesy name Nanlou and her literary names 'Shangyuan Dizi' and 'Nanlou Laoren'. Reading the I-ching in a Mountain Study (山窗讀易圖)Ĭhen Shu (simplified Chinese: 陈书 traditional Chinese: 陳書 pinyin: Chén Shū 1660–1736) was a female Chinese painter during the early Qing dynasty.

Chen shu fen gallery